By Steven E. Aschheim
Brothers and Strangers strains the heritage of German Jewish attitudes, regulations, and stereotypical photos towards japanese ecu Jews, demonstrating the ways that the historical rupture among japanese and Western Jewry built as a functionality of modernism and its imperatives. through the Eighteen Eighties, such a lot German Jews had inherited and used such unfavorable pictures to represent rejection in their personal ghetto prior and to stress the distinction among glossy “enlightened” Jewry and its “half-Asian” counterpart. in addition, stereotypes of the ghetto and the jap Jew figured prominently within the development and disposition of German anti-Semitism. no longer everybody shared those unfavorable preconceptions, even though, and through the years a competing post-liberal picture emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, improvement, and results of those altering forces of their usually advanced cultural, political, and highbrow contexts.
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Brothers and Strangers: The East European Jew in German and German Jewish Consciousness, 1800–1923 by Steven E. Aschheim